It is a particularly successful way that Sheers has chosen to anchor this poem – by returning us to the image of the title itself he reminds us that the poem is the key symbol for understanding this poem. As we learned in the notes on page v, the mountain’s name suggests that it is ‘divorced’ or ‘separated’ in some way and it cannot be denied that this entire collection has centred around ways in which things have been separated or broken down.
In this way, Sheers is almost creating the opposite of a Greek myth; whilst the Greeks once made up elaborate stories of clashes between gods and human beings as a way of explaining various elements of the natural world, Sheers attempts to use the natural world as a way of coming to terms with the complex and upsetting ways that the world of humans works.
Most importantly though, the line ‘I am still drawn back to her for answers’. Sheers is a poet who, as we have seen throughout this collection, uses writing as a means of helping him to understand the world. Whereas the man in the previous poem understands the world through science and medicine (man-made things), Sheers goes to something from the natural world for answers.
The director, Steven Spielberg, tried to emulate the frantic nature of Capa’s photographs many years later in his opening sequence from the popular film Saving Private Ryan.
from "Raritan", Vol. 14, No. 2, Fall, 1994, pp. 1-10.
As is depicted in the poem, a worker at Life magazine accidentally destroyed almost all of the negatives from this set of photographs, save for seven. The seven which survived are characterised by their blurriness and frantic appearance. Life magazine issued an apology for the apparent ‘poor quality’ of the photographs, yet they became iconic as a far more honest and perhaps impressionist depiction of the chaos of conflict.
from "English Studies", Vol. 71, No. 6, December, 1990, pp. 509-22.
Background information: Robert Capa (1913-1954) is a famous Hungarian photographer of war, and is renowned for having photographed five separate wars. The particular set of photographs being referred to in this poem are the ones taken during the D-Day landings of WWII.
As you are probably aware, poetry flourished during the First World War. Literary figures such as Wilfred Owen and Siegfried Sassoon are revered to this day as some of the most important sources when studying the nature of trench warfare. Interestingly, there was not such a ubiquitous uptake of poetry in the Second World War, which can be attributed to many factors.
from "Women's Studies", Vol. 1, 1973, pp. 191-8.
We also have the sense here that Sheers grew up admiring and loving the horse in the stable, and so may impact upon the perceived cruelty done to it in the previous poem.